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The Club: Johnson, Boswell, and the Friends Who Shaped an Age

PDF Download The Club: Johnson, Boswell, and the Friends Who Shaped an Age

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Review

Featured Among Publishers Weekly’s“Most Anticipated Books of Spring 2019”“This look at Samuel Johnson, his biographer James Boswell, and their social circle delightfully captures the bonds of friendship and competition which joined some of the late 18th century’s greatest minds. . . . Damrosch [provides] crisp, colorful portraits of its members, illuminated by quotes from their lively, sometimes contentious interactions with each other. . . . This effervescent history shines a light on the extraordinary origins of a club which still exists to this day.”—Publishers Weekly, starred reviewA “masterful collective biography. . . . Damrosch offers incisive portraits of individual members, highlighting their relationships and interactions with one another to reveal ‘the teeming, noisy, contradictory, and often violent world’ they inhabited. . . . Late 18th century Britain comes brilliantly alive in a vibrant intellectual history.” —Kirkus Reviews, starred review“Damrosch's account reminds readers why this circle of creativity continues to fascinate. . . . Enriched with well-chosen color plates and black-and-white illustrations, this is an excellent introduction to Johnson and his world for the novice and a pleasant retelling for the initiated.”—Joseph Rosenblum, Library Journal“If Samuel Johnson is your man, prize-winning biographer Leo Damrosch’s atmospheric new book, The Club: Johnson, Boswell, and the Friends Who Shaped an Age, should be on your radar. In clear, engaging prose, Damrosch ushers us into ‘the club,’ i.e., the Turk’s Head Tavern in London, where members like Joshua Reynolds, Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell joined Johnson for food, drink, and, perhaps more than anything else, intelligent talk.”—Fine Books & Collections Magazine“Damrosch’s glorious study takes us on a brilliantly animated Grand Tour of the whole Johnsonian universe, with its ever-expanding galaxy of stellar personalities. He revisits not only the old glittering Club Land familiars like James Boswell, David Garrick, Edmund Burke, and Sir Joshua Reynolds, but also intriguing lesser known luminaries such as Johnson’s early portrait painter Frances Reynolds (younger sister of Sir Joshua), his secret confidante and confessor Hester Thrale, his black servant Francis Barber, his pornographic friend John Wilkes, and his “infidel” opponent David Hume. Shrewd, good-natured, and endlessly informative, Damrosch makes a spell-binding guide. He narrates with a compelling mixture of provoking gossip, shrewd commentary and masterly scholarship. He is so intimate and engaging, that I could well believe he once drank punch and compared notes with Boswell at the Mitre Tavern.”—Richard Holmes, author of The Age of Wonder“The Club is a stimulating and delightful work. The portraits of Boswell, Gibbon, and Burke are extraordinary condensations granting us accurate visions of complex personalities. Leo Damrosch has addressed himself to common readers with authentic gusto.”—Harold Bloom“Brilliant, lucid, and enjoyable . . . With perfectly chosen anecdotes, The Club vividly evokes the period.”—Norma Clarke, author of Dr Johnson's Women“Leo Damrosch’s book is an extraordinary achievement. A lively and engaging account of the coming together of a group of famously gifted individuals—the Club, a virtual microcosm of the vibrant world of mid-to-late eighteenth-century London.”—William C. Dowling, Rutgers University

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Book Description

In this captivating book, prize-winning biographer Leo Damrosch tells the story of “the Club,” an extraordinary group of writers, artists, and thinkers in London, with the “odd couple” Samuel Johnson and James Boswell at its center.

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Product details

Hardcover: 488 pages

Publisher: Yale University Press (March 26, 2019)

Language: English

ISBN-10: 0300217900

ISBN-13: 978-0300217902

Product Dimensions:

6.1 x 1.3 x 9.2 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

3.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#936 in Books (See Top 100 in Books)

Eighteenth-century England was a lively place! Captain Cook was exploring the South Seas. Playwrights like Richard Sheridan and Oliver Goldsmith were writing plays we still enjoy, and David Garrick was acting in them. Adam Smith was inventing modern economics. And so on. Despite the breadth of the innovation, exploration, and accomplishments in that era, though, the cast of characters who played major roles all seemed to know one another! The Club focuses on one small remarkable group of men who gathered for camaraderie and stimulating conversation and uses their lives to open the door onto the big picture of the intellectual life of the period. It is amazing how such a small group could have so much influence in their own time and later. These are practically all names we remember: Samuel Johnson for his dictionary and literary criticism, James Boswell for biography, Edmund Burke for his oratory, Edward Gibbon for his history, Adam Smith for economics, Sir Joshua Reynolds for painting, David Garrick for acting, and even Joseph Banks, who traveled with Captain Cook and later was president of the Royal Society.Damrosch’s primary emphasis is on Johnson and Boswell, and he devotes about a third of the book to a description of their lives before the Club is formed. The other members each get a chapter, and even in those chapters there is a lot of description of their interaction with Boswell and Johnson. The activities of the Club itself take up only a fairly small part of the book. No matter who or what the subject is at any time, though, Damrosch gives the bigger picture as well, on subjects like religious controversy, matters of class, and similar social issues. There are a lot of a lot of interesting detours. For example, the chapter on Johnson’s early career includes a section on his friendship with several women writers, Elizabeth Carter, whose translation of Epictetus was still being reprinted as late as 1910, and Charlotte Lennox, whose novel The Female Quixote may have been Jane Austen’s inspiration for Northanger Abbey (Austen acknowledged that she loved the book.). There is interesting history of the emergence of the modern magazine during this period and the difficulty of making a living as a writer (Some things never change.).The Club provides a vivid narrative picture, so it is only fitting that it should include illustrations provided by the art of the day. Damrosch describes the many artworks that are shown in the book, which was very helpful, because he explains the significance of small details in the pictures that the reader could miss or not understand and also because, in the Kindle edition at least, the details were not legible, even when I enlarged the picture to full-screen size. , e.g., fig. 6 is a picture of Edward Cave holding a letter addressed to him at St. John’s Gate, a significant location.At its best The Club is a fascinating broad sweeping portrait that also teems with delightful factoids and sidebars. It quotes extensively from sources contemporary to (and some earlier than) the Club members and from sources contemporary to Damrosch. At its worst it is annoying or confusing, as Damrosch cannot help sharing his genuinely encyclopedic knowledge of history. For example, when Damrosch describes Johnson’s friendship with writer Charlotte Lennox he tells us that Johnson organized a party for her when her first novel was published in 1751 at the Devil Tavern, which had been a favorite of Ben Jonson, who died in 1637. He then goes on to quote Ben Jonson’s friend Drummond about Jonson’s fondness for drink. Why are we talking about Ben Jonson? In another section he discusses how Boswell’s journal shows his early skill at bringing social events to life and says he “happened to meet a retired attorney at a dinner party [who] sings Tarry Woo with the English accent”. Damrosch then tells us that Tarry Woo is one of the few songs that Sir Walter Scott was willing to sing in company. I thought “Was Scott an attorney? I thought he lived later than that”. Scott was not born until 1771. So why was he mentioned here? When I see detours like this I then look to see how they tie into the subject, but often they are simply Damrosch sharing his love of information.Readers who expect a tightly focused history of The Club based on the book title may be disappointed. If you want to enjoy it, I recommend that you approach it as Damrosch does his description of the artwork in the book: there is a lot going on, and sometimes you need to see the little details in order to get the big picture.My thanks to NetGalley and Yale University Press for an advance review copy of this book

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